BIO

Yasmine Muhammad, born and raised in Arlington, TX (2002), currently lives and works in Arlington, TX.  Art has always been a major part of her life, starting from an early age. Always an observant child, Muhammad developed artistic interests from watching her mother sketch and draw. She attended the University of Texas at Arlington, where she received her Bachelor of Fine Arts in Painting. Predominantly working in oil paint, Muhammad creates work that explores the intersections of land and violence. Through contrasting imagery, eerie settings of familiarity and comfort, and vignettes of violence, she creates environs of political destitution. She continues to combine oil techniques that consist of dry and wet marks to convey these conceptual contradictions. Muhammad’s work has been featured in galleries and museums since 2024, specifically in museums such as the Arlington Museum of Art and the Eclectika Gallery. She is currently working on exploring the implications of class amidst a world devoured by imperialist interests.

Artist Statement

Through my body of work, I explore themes of class, militarization, violence, and contradictions within myself and the political landscape around me. I portray familial and personal imagery reflecting middle-class comfort amid unsettling, eerie environments. By imposing and juxtaposing vignette images within the paintings, I portray flashings of disrupted visual tones and the cognitive contrasts that come with them. Adding to the conflicting atmosphere, I use color and texture, contrasting thicker oil applications with dry, scumbling styles. Accents of stronger colors amidst a duller color palette enunciate the collection of images and their polarization. Within these spaces, cropping and obstructed views establish tensions deriving from class contradictions and imperial violence. Compositionally, anonymous figures are generally placed behind, under, or
concealed around corners with passive dispositions. Dissociative figures, hints of American iconography, and isolated vignettes illustrate the dreariness of deception within oneself and the political environment, as well as the exploration of those awarded with comfort in America. The disoriented spaces ferment the friction of lying to yourself and being lied to, and the coping mechanisms to conceal confrontations with duplicity.

Contact

yasminemuhammadart@yahoo.com

@yasmine_._m

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